The Glass Menagerie Essay Example for Free

The Glass Menagerie Essay In reading literary pieces, we tend to compare one character to another that is similar on physical and mental characterization. Alice Walker’s story â€Å"Everyday Use† and Tennessee Williams’s play â€Å"The Glass Menagerie† have different attack, contextualization, plot, conflict, and resolution but they have the same idea of character – Laura in â€Å"The Glass Menagerie† and Maggie in â€Å"Everyday Use. † Laura and Maggie are both physically handicapped. Laura ‘wears a brace on her leg’ while Maggie has scars all through her legs and arms. Both of these characters accept their situations as handicapped. That is why they are being oppressed by the society whether directly or indirectly. Therefore, being physically handicapped of the protagonists in the two stories defines their identity and uniqueness despite of their physical imperfection. Walker’s â€Å"Everyday Use† is a story about a mother having two daughters. Her daughters are opposite to one another. Maggie is a shy woman while Dee is very expressive with her emotions. Dee’s goals are too high to obtain. She leaves her family to acquire her personal goals in life. Ms. Johnson, which is Dee’s mother and Maggie are waiting for her return that is why they clean their house and beautify it so that Dee will become happy once she saw their home. When Dee arrives, Maggie and Ms. Johnson are speechless with her transformation. After lunch, Dee went to her mother’s room and asks for a hand-stitched quilt as a souvenir. Ms. Johnson is holding a ‘precious’ hand-stitched quilt that she will give to Maggie. Dee wants it so she grabs it to her mother’s hands. Maggie understands her sister’s action and even though she really likes the quilt, she let her sister obtain it. However, Ms. Johnson grabs the quilt to Dee’s hands and pulls Maggie into her room and put it to her lap and shows a happy face. Due to disappointment, Dee runs away from their house along with her friend using his friend’s car. William’s â€Å"The Glass of Menagerie† on the other hand is about a woman named Laura. Tom is the narrator of the story. Laura is a shy woman because of her appearance – having her leg being braced. She does not want to enter school because of this. Another reason for this is that she does not want people to look at her and being humiliated by her surroundings. Because of this issue, Amanda whom to be Laura’s mother asks Tom to find a man that will suit Laura despite of her physical situation. Tom found Jim, his co-worker. He asks him to have dinner in their house. When Jim went to the dinner, Laura is afraid to see him because she is attracted to Jim even before. After the dinner, Jim starts talking to Laura. In the beginning, Laura is aloof but as the conversation went on, she becomes comfortable with Jim. â€Å"LAURA: I was out of school a little while with pleurosis. When I came back you asked me what was the matter. I said I had pleurosis you thought I said Blue Roses Thats what you always called me after that I / JIM: I hope you didnt mind. / LAURA: Oh, no I liked it. You see, I wasnt acquainted with many people. (Williams, Chapter 7)† Jim becomes attracted to Laura’s uniqueness that led him in kissing her. After the kiss, Jim says sorry to Laura and tells her that he has a fiance and soon will get married. Even if Laura is upset, she accepts it. Amanda blames Tom for being insensitive by not choosing the right man for Laura. Tom leaves for this reason but even if he tries to begin his life again, Laura’s image emerges within his mind, thinking his offense against her. Laura and Maggie view themselves as weak and incapacitated. They accept their situation in a worst-case-scenario. They do not fight against the common norm of the society towards them. As long as their family accepts them, everything would be fine. However, problems occurred because they admit that they are handicapped and could not obtain things that a usual woman should have. That is why people around them took advantage against them in different cases and issues. In the case of Laura, her mother wants to make her happy and would like her to find a man that will fit her capability as a woman but Amanda did not think of Laura’s feelings towards her action. As she (Amanda) pushes Laura towards Jim, it is clear she has never paused to find out who her daughter really is, nor what her aspirations might be, nor has she ever considered modes of living other than her own (Debusscher, 60). Maggie’s situation is also the same through her relationship with Dee. Because she accepts that Dee should have better life than her, she lets her sister obtain everything that should be rewarded to her. Because of this, she needs to cope up with the demand of others to satisfy them. â€Å"Maggie will be nervous until after her sister goes: she will stand hopelessly in corners homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that no is a word the world never learned to say to her (Walker 47). † However, at the end of the plot of these two stories, the supporting characters realized the manifestations and effects of their actions in the lives of the protagonists. That is why they resolve their conflicts by way of recognizing the identity of Laura and Maggie as individuals with own uniqueness and sense of womanhood. â€Å"When Maggie spoke and suggested that the quilt be given to her older sister Dee, she (Ms. Johnson) began to see Maggie in a different light. She also learned to appreciate Maggie’s simplicity and goodness as compared to Dee’s sophistication and ambitions (Cuizon). † Like what happened to Maggie’s mother, Tom also accepts the realization that Laura needs sensibility from the people around her and she should experience it through her family. In the end, both the protagonists and the supporting characters reconcile and acquire the realization of reality and live a better life. Works Cited Cuizon, Gwen. â€Å"A Review on Alice Walkers Everyday Use. † HubPages. (2008). 23 November 2008. http://hubpages. com/hub/Alice-Walkers-Everyday-Use Debusscher, Gilbert. â€Å"Tennessee Williams’s Dramatic Charade: Secrets and Lies in The Glass Menagerie. † (2000; pp. 57-68). 23 November 2008. http://www. tennesseewilliamsstudies. org/archives/2000/4debusscher. pdf Walker, Alice. â€Å"Everyday Use. † In Love and Trouble. New York: Harcourt, 1973. 47-59. Williams, Tennessee. â€Å"The Glass Menagerie. † (1944). 23 November 2008. http://pagesperso-orange. fr/absolutenglish-972/notes/uscivi/glassmenagerie/scene_by_scene. htm

The Jagged Edges of a Shattered Dream in Death of a Salesman Essay

Exploring the Jagged Edges of a Shattered Dream in Death of a Salesman   Ã‚  Ã‚   Death of a Salesman tells the story of a man confronting failure in a success-driven society. Willy Loman represents all American men that have striven for success but, instead, have reaped failure in its most bitter form. Arthur Miller's tragic drama is a probing portrait of the typical American male psyche portraying an extreme craving for success and superior status. Death of Salesman follows the decline of a man into lunacy and the subsequent effect this has on those around him, particularly his family. Miller amalgamates the archetypal tragic hero with the mundane American citizen. The result is the anti-hero, Willy Loman. He is a simple salesman who constantly aspires to become 'great'. Nevertheless, Willy has a waning career as a salesman and is an aging man who considers himself to be a failure but is incapable of consciously admitting it. As a result, the drama of the play lies not so much in its events, but in Willy's deluded perception and recollection of them as the audience gradually witness the tragic demise of a helpless man. In creating Willy Loman, Miller presents the audience with a tragic figure of human proportions. Miller characterises the ordinary man (the 'low man') and ennobles his achievements. Willy's son, Biff, calls his father a 'prince', evoking a possible comparison with Shakespeare's Hamlet, prince of Denmark.. Thus, the play appeals greatly to the audience because it elevates an ordinary American to heroic status. Death of a Salesman seems to conform to the 'tragic' tradition that there is an anti-hero whose state of hamartia causes him to suffer. The audience is compelled to genuinely sympathise with Willy's ... ...ion of American Society and the nature of individuality. Death of a Salesman may be interpreted as being solely a play about the failing America and the jagged edges of a shattered dream but it does, nevertheless, engage Miller's belief that 'the common man is as apt a subject for tragedy as kings are'. Works Cited and Consulted Baym, Franklin, Gottesman, Holland, et al., eds.   The Norton Anthology of American Literature.   4th ed.   New York: Norton, 1994. Eisinger, Chester E. "Focus on Arthur Miller's 'Death of a Salesman': The Wrong Dreams," in American Dreams, American Nightmares, (1970 rpt In clc. Detroit: Gale Research. 1976 vol. 6:331 Hayashi, Tetsumaro.   Arthur Miller Criticism.   Metuchen, NJ: Scarecrow Press, 1969. Miller, Arthur.   Death of a Salesman.   New York: Viking, 1965. ---.   Eight Plays.   New York:   Nelson Doubleday, 1981. The Jagged Edges of a Shattered Dream in Death of a Salesman Essay Exploring the Jagged Edges of a Shattered Dream in Death of a Salesman   Ã‚  Ã‚   Death of a Salesman tells the story of a man confronting failure in a success-driven society. Willy Loman represents all American men that have striven for success but, instead, have reaped failure in its most bitter form. Arthur Miller's tragic drama is a probing portrait of the typical American male psyche portraying an extreme craving for success and superior status. Death of Salesman follows the decline of a man into lunacy and the subsequent effect this has on those around him, particularly his family. Miller amalgamates the archetypal tragic hero with the mundane American citizen. The result is the anti-hero, Willy Loman. He is a simple salesman who constantly aspires to become 'great'. Nevertheless, Willy has a waning career as a salesman and is an aging man who considers himself to be a failure but is incapable of consciously admitting it. As a result, the drama of the play lies not so much in its events, but in Willy's deluded perception and recollection of them as the audience gradually witness the tragic demise of a helpless man. In creating Willy Loman, Miller presents the audience with a tragic figure of human proportions. Miller characterises the ordinary man (the 'low man') and ennobles his achievements. Willy's son, Biff, calls his father a 'prince', evoking a possible comparison with Shakespeare's Hamlet, prince of Denmark.. Thus, the play appeals greatly to the audience because it elevates an ordinary American to heroic status. Death of a Salesman seems to conform to the 'tragic' tradition that there is an anti-hero whose state of hamartia causes him to suffer. The audience is compelled to genuinely sympathise with Willy's ... ...ion of American Society and the nature of individuality. Death of a Salesman may be interpreted as being solely a play about the failing America and the jagged edges of a shattered dream but it does, nevertheless, engage Miller's belief that 'the common man is as apt a subject for tragedy as kings are'. Works Cited and Consulted Baym, Franklin, Gottesman, Holland, et al., eds.   The Norton Anthology of American Literature.   4th ed.   New York: Norton, 1994. Eisinger, Chester E. "Focus on Arthur Miller's 'Death of a Salesman': The Wrong Dreams," in American Dreams, American Nightmares, (1970 rpt In clc. Detroit: Gale Research. 1976 vol. 6:331 Hayashi, Tetsumaro.   Arthur Miller Criticism.   Metuchen, NJ: Scarecrow Press, 1969. Miller, Arthur.   Death of a Salesman.   New York: Viking, 1965. ---.   Eight Plays.   New York:   Nelson Doubleday, 1981.

Prom Nights from Hell Chapter Eight

â€Å"You're crazy,† Sibby said as they walked in. Her eyes were pancake-size. â€Å"You said this would suck. This doesn't suck. This is fantastic.† Miranda shuddered. They'd snuck into the Grand Hall of the Santa Barbara Historical Society by an emergency exit that had been propped open so prom attendees could slip out to get stoned, and glancing around, Miranda could see how getting stoned would be super-appealing. The walls of the room had been covered in blue satin with white stars embroidered on it, the four big columns in the middle were draped in red and white ribbons, the tables off to the side were covered in American flag-print cloths with fishbowl centerpieces in which the fish had been somehow dyed red and blue, and around the edges major American landmarks such as Mount Rushmore, the White House, the Statue of Liberty, the Liberty Bell, and the Old Faithful geyser had been reconstructed-out of sugar cubes. Courtesy of Ariel West's father. Ariel had announced the previous day at assembly that after the prom all the decorations would be donated to â€Å"the poor hungry people of Santa Barbara who need sugar.† Miranda didn't know if it was that, the balloons on rubber cords hanging from the ceiling that bounced lazily up and down as people passed under them, or foreboding, but she had a distinct queasy feeling. Sibby was in heaven. â€Å"Remember-most of the guys here came with dates, so try to be subtle with the Kissing Bandit stuff,† Miranda said. â€Å"Yeah, fine.† â€Å"And if you hear me call to you, you come.† â€Å"Do I look like a dog to you?† Miranda gave her a sharp glance. Sibby said, â€Å"Fine, okay, Funkiller.† â€Å"And if you feel like anything weird is going on at all, you-â€Å" † – let you know. I've got it. Now you go and have some fun yourself. Oh, right, you probably don't know how. Well, when in doubt, ask yourself, ‘What Would Sibby Do? â€Å" â€Å"Can I unsubscribe from that list, please?† Sibby was too busy scanning the room to respond. â€Å"Whoa, who's that hot dinner in the corner over there?† she asked. â€Å"The guy in the glasses?† Miranda looked around for a hot dinner but all she saw was Phil Emory. â€Å"His name is Phillip.† â€Å"Helllllo, Phillip,† Sibby said, plotting a direct course for him. Miranda stashed her skate bag underneath a table and stayed close to the wall, between the White House and Old Faithful, partially to keep Sibby in view and partially to avoid being noticed by any faculty members. She'd changed in the employee bathroom from her work suit into the only other thing she had with her, but although it was red, white, and blue, she didn't think that her Roller Derby uniform was really appropriate prom attire. There were two uniforms in her skate bag, a home uniform-white satin halter top and bottom with blue cape and red, white, and blue stripes on the skirt (if you could call something that was five inches long and required attached panties to be worn under it a skirt)-and an away uniform: the same thing, only in blue. She'd decided white was more formal, but she was pretty sure that wearing it with her black work flats was not helping the look. She'd been standing there for a while, wondering how everyone but her was completely capable of being on a dance floor without debilitating anyone, when she heard a pair of heartbeats she recognized and saw Kenzi and Beth sliding through the crowd toward her. â€Å"You came!† Kenzi said, giving her a big hug. One of the things Miranda loved about Kenzi was that she acted like she was on Ecstasy even when she wasn't, telling people that she loved them, hugging them, never embarrassed about it. â€Å"I'm so glad you're here. It didn't feel right without you. So, are you ready to unshackle yourself from the insecurities of your youth? Ready to own your future?† Kenzi and Beth were dressed to own anything, Miranda thought. Kenzi was wearing a skin-tight blue backless dress and had gotten a black panther with a blue sapphire eye painted on her back. Beth was in a red satin minidress and had a gold snake bracelet with two ruby eyes wrapped around her upper arm (or at least Miranda assumed they were rubies since Beth's parents were two of the biggest movie stars in Bollywood). On them, adulthood looked like a totally cool and exciting party with an excellent DJ that you could only get into if you were on the VIP list. Miranda glanced at her skating uniform. â€Å"I guess I should have known that when the time came to own my future I'd be dressed like a member of the Ice Capades B-squad.† â€Å"No way, you look fantastic,† Beth said, and Miranda would have assumed she was being sarcastic except that Beth was one of those people who was born without sarcasm. â€Å"Truly,† Kenzi confirmed. â€Å"You're deep in H2T territory.† H2T stood for Hot to Trot. â€Å"I see great things for your adulthood.† â€Å"And I see a visit to the eye doctor for you,† Miranda prophesied. In the distance Miranda saw Sibby pull Phillip Emory onto the dance floor. Miranda turned back to Kenzi. â€Å"Do you think I'm a fun person? Am I a Grandma Grim? A funkiller?† â€Å"Grandma Grim? Funkiller?† Kenzi repeated. â€Å"What are you talking about? Did you hit your head at derby practice again?† â€Å"No, I'm serious. Am I fun?† â€Å"Yes,† Kenzi said solemnly. â€Å"Yes,† Beth agreed. â€Å"Except when you get all MLAS,† Kenzi modified. â€Å"And when you have your period. And around your birthday. Oh, there was that one time-â€Å" â€Å"Forget it.† Miranda's eyes drifted to Sibby, who now appeared to be leading a conga line. â€Å"I'm kidding,† Kenzi said, turning Miranda's face from the dance floor to hers. â€Å"Yes, I think you are really fun. I mean, who else would dress up as Magnum P.I. for Halloween?† â€Å"Or think of entertaining the kids on the cancer ward by reenacting Dawson's Creek with Precious Moments figurines?† Beth added. Kenzi nodded. â€Å"That's right. Even children battling cancer think you're fun. And they're not the only ones.† Something about Kenzi's tone when she said the last part made Miranda worried. â€Å"What did you do?† â€Å"She was brilliant,† Beth said. Now Miranda was even more scared. â€Å"Tell me.† â€Å"It was nothing, just some research,† Kenzi said. â€Å"What kind of research?† For the first time Miranda noticed that there was writing up the length of Kenzi's arm. Kenzi said, â€Å"About Will and Ariel. They're totally not going out.† â€Å"You asked him?† â€Å"It's called an interview,† Kenzi said. â€Å"No. Oh no. Tell me you're kidding.† Sometimes having a roommate who wanted to be a journalist was dangerous. â€Å"Relax, he didn't suspect a thing. I made it seem like I was making small talk,† Kenzi said. â€Å"She was great,† Beth confirmed. Miranda started wishing for trapdoors again. â€Å"Anyway, I asked him why he thought Ariel asked him to the prom and he said†-here Kenzi consulted her arm-â€Å"‘To make someone else jealous. So of course I asked who and he went, ‘Anyone. That's what Ariel thrives on, other people's jealousy. Isn't that perceptive? Especially for a guy?† â€Å"He's smart,† Beth put in. â€Å"And nice.† Miranda nodded absently, looking for Sibby on the dance floor. At first she didn't see her but then she spotted her in a dark corner with Phillip. Talking, not kissing. For some reason that made her smile. â€Å"Look, we made her happy!† Kenzi said, and she sounded so genuinely pleased that Miranda didn't want to tell her the truth. â€Å"Thanks for finding all that out,† Miranda said. â€Å"It's-â€Å" â€Å"You haven't even heard the best part,† Kenzi said. â€Å"I asked why he agreed to go to prom with Ariel if they're not a couple and he said†-glancing at her arm-â€Å"‘Because no one made me a better offer. â€Å" Beth reminded her, â€Å"With that cute smile.† â€Å"Right, with cute smile. And he looked directly at me when he said it and he was so clearly talking about you!† â€Å"Clearly.† Miranda loved her friends even if they were delusional. â€Å"Stop gazing at me like I've been one-stop shopping at the Lobotomy Store, Miranda,† Kenzi said. â€Å"I'm completely right. He likes you and he's not taken. Stop thinking and grab him. Go live ITM.† â€Å"ITM?† â€Å"In the Mo,† Beth elaborated. Miranda gaped. â€Å"No. Way.† â€Å"What?† Kenzi asked. â€Å"Nothing.† Miranda shook her head. â€Å"Even if he's single, what makes you think Will wants to go out with me?† Kenzi squinted at her. â€Å"Um, breezing past all the sappy stuff about how you're nice and smart I have to say because I'm your best friend, have you looked in the mirror recently?† â€Å"Ha-ha. Trust me-â€Å" â€Å"Bye!† Beth said, interrupting her and dragging Kenzi away. â€Å"See you later!† â€Å"Don't forget! ITM!† Kenzi added over her shoulder. â€Å"Drink a can of man!† â€Å"Where are you-† Miranda started to say, then heard a heartbeat close behind her and swung around. Nearly banging her shoulder against Will's chest.

Back Before Written History Monster Stories Were Passed

Back before written history monster stories were passed from person to person by word of mouth. There are hundreds of thousands of stories where monsters are exhibited throughout history. These monsters are just made up to scare or entertain people, the best kinds of monsters in stories are those that have hidden symbolism. The Epic of Gilgamesh and Beowulf, are two stories where there is heavy symbolism associated with the monsters. Both characters form relationships with the supernatural throughout their journeys. The monsters Gilgamesh faces act as distraction on his spiritual journey, while Beowulf’s propel him towards his destiny. In The Epic of Gilgamesh, Gilgamesh faces many monsters. These monsters represent the obstacles blocking†¦show more content†¦Then Gilgamesh’s weapon defeated Humbaba† (Gilgamesh Tablet IV). These passages of Gilgamesh’s interactions with Shamash can be compared to a Christians journey with God. A Christian prays mul tiple times when searching for answers just as Gilgamesh did. When he is swayed by sin (Humbaba’s aura) God will set him straight again. At times, many people may think that their prayers are going unanswered. Nonetheless, when they need it most God will come through for them, just as Shamash did for Gilgamesh during his battle with Humbaba. Even though it was very evident that Gilgamesh was connected to the supernatural through Humbaba, he did not further his spiritual journey. His fights with Humbaba and the Bull of Heaven delay Gilgamesh’s journey to becoming a great king. This journey begins upon the death of his closest companion, Enkidu. The slaying of Humbaba and the Bull of Heaven are only distractions for Gilgamesh. These two fights side tract him from becoming a great king. The death of his friend at the hands of the Gods makes Gilgamesh realize the value of life. He then searches for the key to eternal life; to escape the fate that his friend met. He tries multiple times to obtain his goal but is defeated by all the tasks. He then returns home and begs the gods for a chance to see EnkiduShow MoreRelatedLiterature and HIstory Essay1000 Words   |  4 PagesWithout books, history is silent, literature is dumb, science crippled, thought and speculation at a standstill.† Just like Barbara has mentio ned in her quote, literature always have reflected the historical event that was happening on the time the books were written. For instance, expansion of Christianity and the belief of immortal life through being a hero on their own epic, during Anglo-Saxon period is shown on the famous epic; Beowulf. Beowulf himself always summons the lord before his fightsRead More Comparison between Characters of Frankenstein Essay1513 Words   |  7 PagesComparison between Characters of Frankenstein      Ã‚  Ã‚   In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankensteins monster. 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